Jane Eyre Movie 123Movies 1080p Without Downloading Streaming Online
Narrative Jane Eyre (1943):
After a harsh childhood, orphan Jane Eyre is hired by Edward Rochester, the brooding lord of a mysterious manor house to care for his young daughter.Casts of Jane Eyre:
Orson Welles, Joan Fontaine, Margaret O'Brien, Peggy Ann Garner, John Sutton, Sara Allgood, Henry Daniell, Agnes Moorehead, Aubrey Mather, Edith BarrettMovie Description
- Released: 1943-12-24
- Genre: Drama, Romance
- Date: 1943-12-24
- Runtime: 97 Minutes
- Company: 20th Century Fox
- Language: English
- Budget:
- Revenue:
- Plot Keyword : Drama, Romance
- Homepage:
- Trailer: Video Trailer
- Director: Orson Welles, Bernard Herrmann, James Basevi, George Barnes, Barbara Keon, Robert Stevenson, Robert Stevenson, Thomas Little, Roger Heman Sr., W.D. Flick
Learn More About Jane Eyre
Are you always drawn to the loveless and unfriended?Jane Eyre is directed by Robert Stevenson who co-adapts the screenplay with John Houseman, Aldous Huxley and Henry Koster. Based on the Charlotte Brontë novel of the same name, it stars Orson Welles, Joan Fontaine and Peggy Ann Garner. Music is scored by Bernard Herrmann and George Barnes is the cinematographer.
After a harsh and eye opening childhood, orphan Jane Eyre gains employment at Thornfield Hall as governess to the young ward of Edward Rochester. A Difference in class and life outlook, Jane and Rochester are by definition polar opposites, but a bond exists, a bond that surely can't conquer the mysteries of Rochester the man, and the secret of his estate - can it?
Stevenson's version of the often filmed Jane Eyre has been pored over numerous times before, the constant question that arises is that of just how much input and work did Orson Welles have in the production? Knowing what we now know of Welles' 40s output, Jane Eyre undeniably has the Wellesian stamp all over it, with Fontaine herself quoted as saying the big man was often found behind the camera. This is not to decry Stevenson in any way, he himself would carve out a good career in directing further down the line, but this take on Brontë's famous novel shines because of Welles' presence in front and behind the camera.
With that comes one of only two quibbles with the film as a whole, namely it's Welles' portrayal of Rochester that dominates the film, and not that of Fontaine's Eyre. Which is quite staggering considering he doesn't enter the fray until 34 minutes into ty epic. The other problem, naturally, is that with a running time of just over an hour and thirty five minutes, it was never going to be a detailed adaptation of the novel. However, what exists is still an excellent mounted production, a film pulsing with aggressive atmospherics and simmering emotional passions.
It has been argued that the opposing acting styles of Fontaine and Welles are a distraction, I don't see it that way at all, as one of classic cinemas greatest voices emotionally spars with one of its most beautiful faces, this is monochrome gold dust. In mind of the difference of characters as written on the page, it actually comes off as inspired casting. With the production that surrounds them perfectly in keeping with the characters' state of mind.
The look is assuredly what would become known as film noir, with George Barnes' (Rebecca/Spellbound/Force of Evil) vivid black and white photography dovetailing splendidly with the matte paintings and Gothic set designs. It still amazes me to this day that this film was entirely produced on stage 2 at 20th Century Fox. So many images burn into the memory. From the shards of shadows that accompany young Jane as she stands on the punishment stool at Lowood Institution, put there by the despotic Henry Brocklehurst (a menacing Henry Daniell), to each chiaroscuro lit composition of Rochester in and around the oppressive like family home, the film has visual moodiness in abundance.
Herrmann's (The Devil and Daniel Webster/Citizen Kane) score is crucially in tune as well. Orchestral swirls to portray Jane's longing are counter pointed by the menacing down beats that attack the viewer for Rochester's bluster. Away from the two leads it's young Peggy Ann Garner who delivers the most telling performance. She gives the child version of Jane a sorrowful edge that sets the tone of the film, her early scenes with an uncredited Elizabeth Taylor (beautiful and effectively correct in vocals) are a lesson in child acting. The rest of the cast is filled out with admirable performances from Margaret O'Brien (Meet Me in St. Louis), John Sutton (Captain from Castille), Sara Allgood (The Lodger) and Agnes Moorehead (The Magnificent Ambersons).
This may not be a definitive Jane Eyre adaptation, and the compromised ending does knock it down a point, but all told it's still a top piece of classic cinema. 9/10
Jane Eyre Wikipedia ~ Jane Eyre ɛər originally published as Jane Eyre An Autobiography is a novel by English writer Charlotte Brontë published under the pen name Currer Bell on 16 October 1847 by Smith Elder Co of London The first American edition was published the following year by Harper Brothers of New York
Jane Eyre Study Guide SparkNotes ~ Read a Plot Overview of the entire book or a chapter by chapter Summary and Analysis See a complete list of the characters in Jane Eyre and indepth analyses of Jane Eyre Edward Rochester St John Rivers Helen Burns and Mrs Reed Heres where youll find analysis about the book as a whole
Jane Eyre 2011 IMDb ~ After a bleak childhood Jane Eyre Mia Wasikowska goes out into the world to become a governess As she lives happily in her new position at Thornfield Hall she meets the dark cold and abrupt master of the house Mr Edward Rochester Michael Fassbender
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